In a business where imitation trumps originality, remakes rule. Desperate producers have regularly raided the vaults in a most-often futile effort to seize the sure thing. There have been multiple versions of “Mutiny on the Bounty,” “The Prisoner of Zenda,” and “King Solomon’s Mines,” to name just a few. But the next year or so will see the largest number of high-profile remakes ever to hit theaters in one concentrated time period.
First off, the Coen …





