Bottom Line: Grab-bag of disaster movie cliches will thrill less demanding audiences.
If you rolled every disaster movie into one spectacular package, you would wind up with something close to “2012,” Roland Emmerich’s latest apocalyptic fantasy.
This time Emmerich and co-writer Harald Kloser use the Mayan calendar and other end-of-days prophecies for their doomsday scenario, which imagines the world coming to an end in 2012. Eye-popping special effects ensure that this movie will be a smash hit, …
